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"I am not lecturing anyone," replies he, looking very like her, now that his face has whitened a little and a quick fire has lit itself within his eyes. "I am merely speaking against a general practice. 'Dare to be true: nothing can need a lie,' is a line that always returns to me. And, as I love Mona better than anything on earth, I shall make it the business of my life to see she is not made unhappy by any one.",

"Nothing," replied the old man. "I fell down and spilled my arrows, and I am putting them back.",

As she advances and retreats, with her svelte figure drawn to its fullest height, and her face eager and intent upon the business in hand, and with her whole heart thrown apparently into the successful accomplishment of her task, she is looking far lovelier than she herself is at all aware.,

But almost on the threshold they come to a full stop to gaze irresolutely at one another, and then over their shoulders at Mona. She, marking their surprise, comes hastily to the front, and so makes herself acquainted with the cause of their delay.

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She lifts her luminous eyes to his, and regards him fixedly as she speaks, full of hopeful excitement. Her eyes have always a peculiar fascination of their own, apart from the rest of her face. Once looking at her, as though for the first time impressed with this idea, Geoffrey had said to her, "I never look at your eyes that I don't feel a wild desire to close them with a kiss." To which she had made answer in her little, lovable way, and with a bewitching glance from the lovely orbs in question, "If that is how you mean to do it, you may close them just as often as ever you like.",

There was a young man named Mīka´pi. Every morning when he awoke he heard the mourning of these poor widows, and all through the day he could not forget their sorrow. He pitied them. One day he sent his mother to them, to tell them that he wished to speak with them. When they had come to the lodge they entered and sat down close by the doorway and covered their heads.,

In being mad, which none but madmen know.',

It is Mona's laugh. Raising their eyes, both mother and son turn their heads hastily (and quite involuntarily) and gaze upon the scene beyond. They are so situated that they can see into the curtained chamber and mark the picture it contains. The duke is bending over Mona in a manner that might perhaps be termed by an outsider slightly empresse, and Mona is looking up at him, and both are laughing gayly,—Mona with all the freshness of unchecked youth, the duke with such a thorough and wholesome sense of enjoyment as he has not known for years.